To my horror, my plot is turning to sand and falling through my fingers.
I need water to thicken it so I can make my castle.
But I appear to be in a desert surrounded by sand and wind and bad ideas.
The way I’m panicking it may as well be my own life falling apart.
I’m getting married next month which arouses little anxiety in comparison.
At least in my own life I’ve got the hero sorted!
Panicking is not going to help though and neither is a shot of something strong.
I need to calm down so I can see clearly.
It's not long before I read about my own first draft which is ‘shapeless’ and ‘fails to meet with {my} intentions.’
Apparently this is where 'many writers hang up their pens and give up’.
But I’m not going to do that.
I’ve grown to believe in my characters. My problem is I just don’t bloody know what to do with them.
I continue to read.
Joseph Heller took ten years to write Catch 22.
I’m not sure if that’s supposed to comfort me.
I can’t bear the thought of anything taking ten years. I’m from the facebook generation where every creation and reaction has to happen NOW!
Basically I’m looking for an immediate solution to my plot problem.
I’m looking for the secret.
Reading the guide calms me down.
It dawns on me that I should be telling a story, not writing a novel.
The thought takes a hold on me.
I think I see a camel. It might be a mirage but I’m excited enough to stand up and wave at it.
‘Plot is for readers more than writers,’ author Val Taylor writes. ‘Reader’s ask, ‘what happens?’ For a writer the question can only be answered when the novel is finished.’
Which means I'll know where I’m going when I get there.
*The Creative Writing Coursebook edited by Julia Bell and Paul Magrs
Photograph by Elizabeth Hacker
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